A Sheep In Wolf's Clothing
Even though
we are past the midway point of the year, one film that
has definitely stuck with me from early January is Martin Scorcese's comedy/drama The
Wolf Of Wall Street. Not only is it a combination of director and cast working at the
height of their careers, but it also is a scathing indictment of the
American banking system, the people that work within it and the love
of greed for the sake of greed.
The
film is a loose biopic of Jordan Belfort (played by Leonardo
DiCaprio); an aspiring Wall Street banker who just happens to start
his career on the same day of a stock market crash. To find a way in
the world and a way of providing for his family, he starts to sell penny stocks in the American pink sheets
to the clueless public once he finds out you can make a huge
commission off their purchases.
He employs a select group of
low-time criminals from his old neighbourhood to pretend to be smooth
Wall Street bankers in order to earn as much money as possible.
Eventually, the amount of money builds and builds, as well as the
reputation of the company, and soon, Belfort's small rag-tag gang of thieves resembles the established banks and firms that Belfort
didn't have a chance to compete against.
If you don't understand stock
markets, don't worry, neither do I. However, Belfort speaks to the
viewer early on in the film to say that you don't need to know. All
you need to know is that they are doing very illegal activities. We
are then treated to almost three hours of incredibly debauched
events, featuring some of the most amoral, selfish and over-the-top
characters that I have seen in a film.
The amount of crime and
misbehaviour escalates to ridiculous proportions, with DiCaprio's
Belfort making more and more money, paying for bigger and bigger
houses and indulging in stronger and stronger pharmaceuticals,
resulting in an extended scene of physical comedy that wouldn't be
found in even the broadest comedy film. Immediately afterwards
Belfort hosts a group meeting to discuss throwing a little person at
a dartboard like a human dart, all the while snorting copious amounts
of cocaine and treating $100 bills like tissue paper. It becomes
laughable but there is always the reminder that this is based on real
events in Belfort's life and it feels even more ridiculous.
However the
fantastic aspect of The
Wolf of Wall Street is
that it is not all underlined with a heavy-handed moral lesson or
comeuppance for these horrendous characters. The film treats you
with the maturity to know that these actions are horrible and that
something will happen to these characters in time, all you have to do
is wait and watch. However the film does not pull punches with the
reasons behind their behaviour; they do all these debauched
activities because it's fun. These people are so empty and shallow,
they have to fill the voids with prostitutes, drugs and just more
money, and they have immense amounts of fun while doing it. Whilst
some of the actions are deplorable, you as the audience can't help
but go along for the ride and almost get a contact high from the
people living the life you never could, much to your own shame.
The
actors perform for Scorcese so well that you fully understand why
their lives are so seedy and why the prospect of unlimited amounts of
money is so appealing. DiCaprio is performing at a career high,
making a living now out of playing these debauched high-life types
such as Calvin Candie in Django
Unchained,
Gatsby in The
Great Gatbsy
and now Jordan Belfort. His effortless charisma is incredibly
evident and the partnership he shares with Scorcese again proves a
winning combination. Jonah Hill performs against type as a nerdy
schmuck, in awe of Belfort's lifestyle and becomes wrapped up in the
madness that he encounters. He is an effective comic foil for
DiCaprio's Belfort, as he is essentially Belfort's hopes and dreams but without the good looks and the charisma, his basic desires for
life but without the maturity and pathos to offset his amorality, and
he deservedly earned the Oscar nomination for Best Supporting Actor.
The
inherent message within the film will probably be lost amongst the
general public; remembered for the generous amount of time dedicated
to Belfort's devious rise to the heights of Wall Street and not the
inevitable fall from grace that concerns the final third of the film. Much like Goodfellas,
Scarface
and
the original
Dawn of the Dead,
I fear it will be championed by viewers who fail to understand the
messages held within; seeing the film as meaningless entertainment or
at worst, an advocate for greed, debauchery and self-preservation. The inherent indictment of America's corrupt financial system and
it's influence on well-meaning individuals, not to mention the effect
that Belfort's greed had on his faceless victims, will not prey on
their mind. It is truly unfortunate that the film may become just a
cult classic; Scorcese's post-Goodfellas
commentary on the supposed American Dream, instead of being held as
one of his greatest and more cerebral films about the nature of greed
within an ultimately corrupt and failed system.
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